Ingrid Bergman: In Her Own Words
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Ingrid Bergman: In Her Own Words
May 17, 2016
criterion.com
Ingmar Bergman’s Brink of Life (1958) is a deeply intimate exploration of motherhood and loss. Set in a maternity ward, it follows three women—Cecilia (Ingrid Thulin), Stina (Eva Dahlbeck), and Hjördis (Bibi Andersson)—each facing a personal crisis. With raw performances and a confined setting, Bergman crafts a powerful, emotional portrait of love, pain, and societal expectations. A Cannes-winning masterpiece, the film remains a poignant study of the female experience. | History of Cinema
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Ingmar Bergman’s Brink of Life (1958) is a deeply intimate explora…
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Ingmar Bergman’s “The Virgin Spring” (1960) Bergman’s collaboration with cinematographer Sven Nykvist in “The Virgin Spring” is pivotal in creating the film’s haunting aesthetic. The use of natural light and shadow plays a crucial role in establishing mood and emphasizing emotional depth. Nykvist’s mastery of composition captures the serene beauty of the rural setting while simultaneously reflecting the underlying darkness of the narrative. Additionally, the film’s influence can be seen in subse
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🎬 54 years ago today Ingmar Bergman’s The Touch (Beröringen) premiered at the 21st Berlin International Film Festival, marking a rare and bold chapter in the master’s career. 🌍 It was Bergman’s first English-language film, starring Bibi Andersson, Elliott Gould, and Max von Sydow — an intimate, unsettling story of love, betrayal, and spiritual crisis. While the reception at the time was mixed, The Touch has since been re-evaluated as one of Bergman’s most deeply personal works — raw, human, an
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🎬 54 years ago today Ingmar Bergman’s The Touch (Beröringen…
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12K views · 251 reactions | Ingmar Bergman’s Cries and Whispers...
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32 reactions | "On a crisp autumn day circa September 1937, Ingrid...
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1.4K views · 32 shares | Undoubtedly Ingmar Bergman's most perturbing piece, "Hour of the Wolf" follows a disturbed recluse artist and his wife as they venture to a dinner party with a crowd of sinister aristocrats. Both a dream and a nightmare, this film from The Bergman Century haunts even through its understated horror. For info and showtimes: bit.ly/2Ix92DJ | MSP Film Society | Facebook
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