May 26, 2016 · Naples Yellow offered by most brands is a convenience mixture that more ore less successfuly replicates color of genuine paint. So other differences with Yellow Ochre are price and …

Apr 27, 2005 · gold ochre — a bit like yellow ochre, but really useful in mixing, more so than yellow ochre; and raw umber — useful primarily (imo) for mixing darker skin tones.

May 27, 2014 · Good old Yellow Ochre (PY43, W&N, actually Yellow Ochre Light, because it was the least staining, most transparent I could find), and the somewhat brighter, warmer, and newer PO49 …

Nov 14, 2016 · A couple of especially notable paints in this chart are the lemon ochre for its brightness and clarity and the orange ochre for how similar it already […]

Jun 17, 2018 · Yellow Ochre. I have and used both, but Raw Sienna lives in the auxillary paintbox. Yellow Ochre saves my more expensive pigments, Cadmium Yellow Light and Quinacridone Violet. …

Sep 17, 2012 · A limited palette of the following colours was recommended to me : napthol red medium, cad yellow med, pthalo blue red shade, titanium white and quinacridone red. I would like to make my …

Dec 20, 2019 · 1: Yellow Ochre. Cleaner and less gritty than Raw Sienna, fabulous in mixes for landscapes. Mixed with Ultramarine produces a variety of dullish greens, just like the Aussie bush. 2: …

Mar 16, 2007 · Normally I use gold ochre, which is supposed to be an ‘earth’ tone but is quite transparent in the W/N formulation (synthetic iron oxide). I don’t use yellow ochre at all for …

Aug 16, 2025 · In some brands (for example Golden acrylics) the difference between Yellow Ochre and Raw Sienna is surprisingly little – I’d choose one or the other (or one of their wonderful synthetic iron …

Aug 26, 2010 · I use it to make greens, a lot of foliage, makes tans for dirt and sand, flesh mixtures using yellow ochre, cad red or venetian and blue, used in my impressionistic sky technique that uses …