Sadie Sink played her 104th and final performance on Broadway as ‘Shelby Holcomb’ in John Proctor is the Villain yesterday, ...

Set in 2018 in the high school of a “one-stoplight town” in northeast Georgia, John Proctor Is The Villain has found what might be the best, smartest artistic use for the many lives of Salem ...

Many theatergoers will be drawn to John Proctor Is the Villain by Sink, who made her breakthrough in Stranger Things and most recently starred in Searchlight's musical drama O'Dessa.

Audiences do not meet Sink's character Shelby right away in John Proctor, as playwright Belflower allows folks to become familiar with the other characters and how they feel about Shelby first.

“John Proctor is the Villain,” playwright Kimberly Belflower’s often entertaining, mostly clever, frequently phony dramedy starring Sadie Sink at the Booth Theatre on Broadway could have ...

Audiences do not meet Sink’s character Shelby right away in John Proctor, as playwright Belflower allows folks to become familiar with the other characters and how they feel about Shelby first ...

‘John Proctor Is the Villain’ Review: Sadie Sink Makes an Exciting Broadway Return in a Sharp and Funny Re-Interpretation of ‘The Crucible’ A group of high schoolers start a feminism club ...

‘John Proctor Is the Villain’ Broadway Review: Sadie Sink Deconstructs ‘The Crucible’ The “Stranger Things” star returns to the stage in yet another play about white male toxicity ...

"John Proctor is the Villain," starring Sadie Sink ("Stranger Things"), is a new original comedy on Broadway, which is being performed at the Booth Theatre in New York City.

The first word spoken in “ John Proctor Is the Villain ” is “sex,” a portent of things to come. Mr. Smith (Gabriel Ebert), a high school English teacher, has been tasked with handling sex ...

Sadie Sink in 'John Proctor is the Villain' on Broadway. (Julieta Cervantes) Much effort here has been made to make all of the classroom dialogue feel real, and successfully so.

“John Proctor Is the Villain” is a feminist reinvention, turning “The Crucible ” on its head and demonstrating the power of feminine solidarity and rage — and right now, solidarity and ...