Enotria: The Last Song, offers a beautiful, sunkissed world filled to the brim with whimsy and brutality in equal measure, and it's available on PC and Console today.

Enotria: The Last Song's elemental and status effect system is a core part of its gameplay, so players should know the ins and outs of how it works.

The Last Song proves to be too ambitious in standing out as a Soulslike over time. The post REVIEW: ‘Enotria: The Last Song’ Masks Its Own Potential (PC) appeared first on But Why Tho?.

It's for that reason I was particularly excited to play Enotria: The Last Song, a soulslike rooted in Italian folklore. It's something I know very little about, but as with Black Myth Wukong, I was excited to receive a schooling while murdering bosses and exploring sunny mediterranean-inspired regions,

Players should be aware of several unwritten rules about Enotria: The Last Song's combat and exploration before diving into this saturated Soulslike.

Italian folklore, with beautiful villas, majestic beaches, and a lot of brutally hard combat. Sure, difficulty comes with the territory, but that doesn't make it any less frustrating to lose to a boss you've gotten down to a sliver of health.

Your Loadouts are essential for any build that you are going to run in Enotria: The Last Song. The game has quite extensive mechanics to make them, and you need to consider a lot of factors for The Maskless One to perform better in combat.

Enotria's deep connection to Italian culture prompts the question: is it better to play the game with English or Italian voice lines?