Aaron Morse’s tall heavens evoke Georgia O’Keeffe’s painting Sky Above Clouds IV (1965); the big-sky country of the American West; and the empyrean ...

Aaron Morse’s tall heavens evoke Georgia O’Keeffe’s painting Sky Above Clouds IV (1965); the big-sky country of the American West; and the empyrean orange,… ...

I got lost several times on my way to Casa Susanna, the exhibition I had set out to write about. It was a sticky Friday night in July—“date night” at the Metropolitan Museum of Art, as the Met ...

An eight-foot wooden ramp was propped up at a forty-five-degree angle in one corner. Knotted ropes hung from six holes drilled near the ramp’s top. The din of the ongoing installation echoed from ...

The coverage and criticism of Documenta 15 was an experience in itself, whether or not you made it to Kassel this year. This edition of the contemporary art exhibition was the first to focus entirely ...

Ursula Biemann has been challenging, and excavating, how knowledge is produced for thirty years now, but in the past decade she has turned her attention to the environment. Her fieldwork has ...

Pablo Picasso is so famous and so ubiquitous and so dead that he is easy not to think about at all. It’s as though his most renowned artworks are in the next gallery along with his clownish public ...

With arms crossed, a Métis curator contemplates Kent Monkman’s The Scream (2017) at the Winnipeg Art Gallery. The history painting dramatizes Canada’s seizure of First Nations, Inuit, and Métis ...

For the past weeks, I’ve kept a new monograph on the artist Emily Mason on my glass coffee table, observing the sea of its yellow cover reflect and shimmer. It’s not a rigid object but a source of ...

Sometimes called an alchemist, Azza El Siddique treats the act of making as just the beginning of a process that the artwork carries on. Her sculptures themselves have a collaborative hand. As a ...

Historical hypocrisies are thus made into moments of sincere personal shortcomings rather than situated as forms of systemic oppression essential to the construction of the world’s most merciless ...

Amy Sillman is a highly regarded painter, writer, and curator based in New York. One might regard her as a consummate insider. The artist has a solo exhibition at Gladstone Gallery this May but hails ...