The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act I: Prelude & Song - Come, Let Us Leave the Town The Fairy Queen, Z. 629 (Suckling/McCreesh Edition), Act I: Scene of the Drunken Poet The Fairy ...
Leading Spanish production house Morena Films is teaming with A Contracorriente Films, one of Spain’s top indie distributors, and “The Beasts” French co-producer Noodle Productions to produce “Fairy ...
TimesMachine is an exclusive benefit for home delivery and digital subscribers. About the Archive This is a digitized version of an article from The Times’s print archive, before the start of online ...
The problems posed by a work whose theatrical characters have no foothold in the musical interludes, whose text is an awkward composite of almost-Shakespeare and not-at-all-Shakespeare, whose unedited ...
Madness, magic and music abound in Opera Theater of Yale College’s production of “The Fairy Queen” — an operatic adaptation of the classic Shakespeare play “A Midsummer Night’s Dream.” “The Fairy ...
Adam Chitwood is a former Managing Editor at Collider, where he covered film and television with a focus on interviews, features, and industry analysis. As The Magicians fans know full well, no one ...
Liza Gardner Walsh uses a little magic to spark children’s imagination and love for the outdoors. Fairies are a vehicle, a way to talk about nature, fragility, and conservation. I studied literature ...
It was nasty in Long Beach on Sunday. Record rainfall turned parts of the 710 into an underwater expedition for many on their way to that afternoon’s Long Beach Opera season-opening performance of ...
LENOX — In Henry Purcell’s “The Fairy Queen,” writes Le Jardin des Voix co-director Paul Agnew, “the night descends and the magic commences.” As night fell on Ozawa Hall, a spirited, inventive ...
And then there’s The Fairy Queen – the gauzy, gorgeous semi-opera whose music is the side-dish to a bastardised 17 th-century take on Shakespeare’s A Midsummer Night’s Dream. With Purcell’s music for ...
Performances in N.Y.C. Advertisement Supported by Music Review | Les Arts Florissants By Allan Kozinn The English were wary of the Continental taste for opera in the 17th century, but they liked the ...
As an opera composer, Henry Purcell is best known for a single piece: the drama Dido and Aeneas, which dates from around the 1680s. Strictly speaking, it's the only opera Purcell ever wrote. Many ...