Of course you know Marillion. They are the band whose biggest hit, Kayleigh, gave its name to the waitress in your favourite café. Which is, of course, unfair and rather mean – to the waitress, who ...

Add Yahoo as a preferred source to see more of our stories on Google. The early 80s was the Wild West when it came to the emergent art form that was the music video. But even by the maverick standards ...

You could almost hear the unified, horrified screams of thousands of aging punk rockers on March 12, 1984. That's when Marillion – the greatest new hope of progressive rock – released their U.K. Top 5 ...

Classic Album Review’s Barry Robinson has praised Steve Hogarth’s live voice and stagecraft after seeing Marillion in Cambridge, ahead of the band’s Australian shows.

Prog rock was mostly dead and buried by 1985, but Marillion helped resurrect the genre – albeit in a glossier, streamlined context – with Misplaced Childhood. The band's third album, released on June ...

(Atom Splitter) "The Crow and the Nightingale (Live in Port Zelande 2023)" is the second single taken from Marillion's upcoming live release An Hour Before It's Dark: Live in Port Zelande 2023. The ...

“The Cold War is done, but those bastards will find us another one.” This cry might have come from any current reader of The American Conservative alive in the early 1990s—well, maybe without the ...

Conventions for fans, at which the band performs a different set each night, have become key dates in Marillion's calendar Ahead of the Progressive Music Awards, Marillion frontman Steve Hogarth ...

Thu 22 Sep 2016 17.45 EDT Last modified on Mon 3 Dec 2018 10.25 EST FEAR continues a late-career renaissance that began with 2004’s Marbles. It’s a totally uncompromising record; 68 minutes made up of ...

Assassing promo featured pseudo spy nonsense, barely-competent green screen scenes and an out-of-control stunt car… what were they thinking in 1984?

Ahead of the Progressive Music Awards, Marillion frontman Steve Hogarth discusses the band's role as crowd funding pioneers, reactions to his 17-minute song about Gaza and why it is fine to be joked ...